The climax also doesn’t deliver the emotional blow that it should. While some of the scenes work individually - be it as mass moments or poignant ones, the film does not come together as whole. The director either wants us to hoot and whistle looking at the Superstar’s style and charisma, or tries hard to get us emotional. The main problem with Kabali is its jerky tone. Ranjith is successful in giving a new shade to the Superstar - vulnerability (this is that rare Tamil film where we feel scared for Rajni’s character), but the film is engaging only in parts. It is more a director’s film, and that is both its strength and weakness. The pleasant surprise is that the film also offers him a chance to explore the actor in him, and he aces the moments when he has to act pensive.īut Kabali is really not a typical Rajini film. With his signature style, he gives fans what they expect from him. The jadedness that we saw in Lingaa has been replaced by a renewed vigour. And by choosing a young director like Ranjith for this film, Rajinikanth, too, seems to have realised this. The story doesn’t have mass elements or twists that we have not seen before, but we need to accept the reality of the story and the message that was lying on the lines ( not in-between ), which makes it a worth watch.The best thing about Kabali is that it does away with the ghost of Lingaa, which showed that the Rajini formula isn’t as potent as it was before. Thanks to the director for making no compromises and keeping the story intact.
MOVIE KABALI 2016 MOVIE
Maybe this is what makes us feel that the movie lacks something, although the movie does overall justice in all manners. Such dialogues feel injected towards the end. We get a lot of dialogues that makes us understand the strive behind the Kabali’s character. Indeed we come to know how the Malay Tamil people are treated, but we are not shown what happens behind, instead we get to know about this only through Kabali’s dialogues. Get together with the loved ones, and a fight scene with lots of guns are to be watched out for. Attakathi Dinesh and lot of other characters are well built.
(nope not the Rajini one).Įvery song is beautifully placed that it blends itself with the scenes, Maya-Nadhi, and Neruppu da stands out though. It is the good vs bad now, and Kabali is going to sort this out in his own style.
Only now does the real don business begins. Once the family chapter of the dons era is sorted out we are given the trifle, which Rajini created during his comeback. This stretch is where we get to see the actor in Rajinikanth. This makes Kabali go in pursuit of his loved one which makes the most emotional moment in the movie. Then with a sudden turn of events, Kabali gets a hint that his loved one might be alive. Watch out in theaters for the surprise element. He makes sure that nobody is into drug business under his nose, which makes life miserable for the villains. He has a welfare foundation for teenagers who were into drug abuse. He looks after the people he used to look after. So what would he do once he returns from jail?. He was a don ruling the underworld of KL, Malaysia, gets jailed after a lot of people gets killed(which includes his pregnant wife) in a gang war. Kabali the character who does not strike first but gives some space for the opponent to get comfortable and then makes the situation in favor of him by striking at the right time.īut Kabali as a movie not only revolves around the gangster world Kabali lives in but around this Kabali character. The rest of the movie and Kabali’s character could be predicted from this scene. He does make a punching bag out of rest of the villain and utters the infamous dialog about Kabali which we saw in the teaser. But Rajinikanth silently observes everything going on around him (like everyone around him unveiling knife and gun cautiously) and strikes the villain just in time when he pulls the gun. once released Kabali gives a surprise visit to the small time villains den, who was eager to kill Kabali as soon as he is released from jail. Kabali sits on the sofa opposite him and utters few dialogues, in the mean time villain signals his gang and everyone gets ready to kill Kabali. The movie starts with an insight into the underworld of Kuala Lumpur, Malaysia, and Kabali who is in jail now and is about to get released.
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